ZThemes

This was a big fight. Not the old, usual bickering. This was whole new level. Hermann had said something very, incredibly hurtful. I mean, they were always talking shit of each other but this was different. 

They had been shouting and screaming and swearing and Newt decided that it was better to leave the room as soon as possible but then Hermann said it. He said the the unsayable. And after the words left his mouth, he is already regretting it but it’s too late. He can see Newton has frozen in his spot, all his body is tense and he is quiet. Quiet is the most scary sound now. 

Suddenly, Newt starts turning around slowly. His face is blank. He doesn’t seem angry. In fact, he seems emotionless. Hermann is scared to dead now but he is trying to stay as calm as he can. Newt starts walking towards him. Slowly. Step by step. Like he is contemplating Hermann in every step he takes. Hermann has never seen him like this. It takes an eternity to Newton to get where Hermann is, and when he is finally in front of him he takes one step closer. 

One more step and Newton can smell Hermann’s fear. 

Two more steps and Hermann is able to smell Newton’s minty breath.

Newton approaches more, and they are so close. Insanely close. Closer than they’ve ever been before. Hermann has turn to stone. He doesn’t know what do to, what to NOT do. Newton looks him in the eye. His gaze is deep and it hasn’t have their usual shine. They are so damn close. Then, Newton reaches his ear and sentences starts forming. His voice was extremely deep and low. It was so awkward in comparison to the high pitched voice. 

"Don’t pretend you know me, Hermann. You don’t know shit about me. If you think sharing a lab with someone for 8 years gives you the right to say what you just said well darling, I have news for you:" he gets closer and he presses Hermann’s body against his and his voice turns into a mutter "I’m not the only one hiding secrets in this room."

Hermann is speechless. Newt looks at him in the eye one more time before he moves backwards on his way to leave the lab. Hermann can’t move, can’t breath, can’t think.  He was an ass, he admits it. And he owes him and apology.

But that will be later. Right now he must focus on his shaky knees and the memory of Newton’s breath on his thin hair.

rneerkat:

“youre always on your computer” well ur always on my nerves

We don’t even needs comic books anymore. We made a super hero team by pointing at a bunch of random words in the dictionary.

onoasa:

jeffersonstarshipshavethetardis:

okay so we know about jesus when he’s a baby, and jesus when he’s an adult, but does the bible ever mention his rebellious teenager years?

‘jesus, go feed the donkey.’
‘yOU’RE NOT MY REAL FATHER’ 

the ground shakes a little, and a voice comes down from the sky

‘do what your stepfather says you little shit’

tonystarking:

THE MARVEL CINEMATIC UNIVERSE SO FAR (2008-2014) - for thored

Features Films + One-Shots

The door. It says, keep out
No it says, “go away humans”

colorfuloddity:

firemen:

firemen:

British people are just now becoming scene and it’s so funny

image

I’m never getting over how Britain is consistently 5-10 years behind the US in fashion trends like remember 2007 shows featuring bell bottom jeans and crop tops and 90s hair

remember Rose Tyler

thetwogaydetectives:

Well, you know I am a sucker for anything meta related, so here we go.

In the first image we see that the shot is framed in red, yellow and blue. They are all very strong colors, that are generally used together when trying to show strong emotions. Red as you all know, is the universal color (in film) for romance, giving the scene an immediate romantic connotation. Generally Blue and red combined signal danger; however we have a very warm yellow in the back, toning down this sign to make it much more friendly. It tells us that the danger is not actually dangerous. It is something bold, something new, something excitingly risky. 

As you can see Sherlock is holding a rather long phallic object in his hand. Notice also the way the confetti is placed. This is very commonly done in films when sexual subtext is used. This is a clear ejaculation shot (the come would cover Sherlock’s face.) Notice also John looking at him attentively, making him part of this subtextual sexual act.

We also see a hand in the back, holding another phallic object. That is also commonly done. You generally want to use quite a few phallic objects, to truly ingrain the image in the audience’s mind.

The second picture is also very interesting. We see John holding the phallic object with two hands, and, as you can see, it doesn’t look natural. That is because that is sexual subtext 101. What they are trying to show is a blowjob/ handjob.

Notice also that Sherlock is still holding his own phallic cylinder, and notice that it is erect, subtextually showing heavy arousal. There is also the fact that he is taking pictures at a gay bar, thus it is safe to say he is taking pictures of men, while aroused. 

picture credit (x, x)

artigosaurus:

queen-of-dork:

i-am-a-cat-eins-zwei-drei:

debisanacronym1:

WHY ARE NONE OF YOU FUCKERS FLIPPING SHIT?!?

NASA HAS DECLARED PLUTO A PLANET AGAIN

IT HAS MOONS!!!!! IT HAS MOONS!!!!!!!

WHAT. WHAT! PLUTO YOU FUCKING DID IT!

VIVA LA PLUTO, YOU DID IT!!!